The Red Rattler

Recently found this pic in a book about Australian Railways. It was taken about 1964:



It's a veritable Sydney suburban 'Red Rattler' - but there are two even more significant factors.

1. This set shows the first double-decker (trailer) cars in service. Those of us who, like myself, came to Tech every day on the train used to scramble for an upstairs window seat when the double-deckers appeared, and marvel at the view, looking down ladies' blouses. Later, we'd scramble for a downstairs window seat, and marvel at the view, looking up girls' skirts.

2. This photo was taken at a spot where I spent most of the carefree hours of my boyhood. To the left and below, Neverfail Bay, good for messing about in the mud, with decaying row-boats and tar-pungent oyster barges, and on home-made rafts. In the distance, Caravan Head and Como, places to explore by sneaking over the Como Bridge between trains. To the right and above lies Yarran Road, Oatley, where I failed to grow up. The stretch of gully and bush on the right, between the spot where the photographer is standing and the Como Rail Bridge which lies about a hundred yards ahead of the train, was My Place.

My place, for cubby houses under lantata bushes, and caves in the sandstone cliffs, and secret, parent-forbidden fires, and rock fights, and loading and letting off bunger-guns, and building dams in the tiny creek, and fist-fights with other gangs of marauding boys and endless, dreamy days when the world seemed to consist only of summer and uncounted holidays.

Just to the left is where Brendyn Wilson is shown on the '69ers website laying his head on a rail. Rob Hodge's house is to the left and above. The photographer is standing on a shelf of rock where once was written, in tar picked off the road and moulded by two pairs of warm young female hands, the names of two boys they fancied. Neither of the names was mine.

The construction of the new Como Rail Bridge, starting in 1966, meant that much of this vista disappeared. The sandstone cliff where our choicest caves lay was sheared off to create a wider cutting. The old rail bed is now a cycleway where hundreds of suburban bores in Nikes and bumbags pedal backwards and forwards over the old Como Bridge. My Place, the gully below, has gone, choked with rubble from the excavations and the realignment of the lines.

Perhaps it's just as well. I wouldn't want any other boy to have it, and I'm too old to fight.

------


Historical comments:

  • These Sydney suburban passenger trains are more correctly designated EMU (Electric Multiple Unit) sets
  • More information about them is to be found here.
  • Trainworks at Thirlmere has some cars in its collection.
  • At the time, they were not known colloquially as 'Red Rattlers'; this term applies to Melbourne's suburban railcars. The 'rattler' epithet was introduced in the 1980s by a Sydney politician attacking the NSW government's transport policies; at that time, many of these trains were still in operation, or at any rate, some of the older cars were still to be seen.

Big Brother is Watching Us

Just got an e-mail from a current member of STHS's teaching staff, asking me ever-so-politely to correct a couple of 'minor' errors on our pages. Not to do with the past STHS, but rather the current one.

The Good Name of the School is ever-so-slightly being menaced, it seems.

Or misrepresented, perhaps.

Just a tad.

Big Brother is watching us. The minatory spirit of Bing lives on. The school's 'marketing managers' are zealously cultivating its reputation, mindful of attracting future clients. They are naturally anxious about the sites that their school web-pages may be linked to. The content of such sites might be 'inappropriate' (horrid word) and the school staff, or worse, the Minister of Education, be held responsible.

Do we not live in interesting times? I keep forgetting that we no longer have 'free speech', merely 'responsible speech'.

My interest in the present school and its doings has been minimal. It is now non-existent.

I have therefore deleted from the STHS 1969 site any image of or reference to the present school. The link from the current STHS web-page and ours has been deleted. All images of the current school which were stored in Photobucket have been deleted. I have placed a disclaimer on our front page.


So regard it as your motto.
Some forget it, too, in toto,
'Til they're cautioned,  voce sotto
'Don't disgrace your school.'

It Was Forty Years Ago Today...

... or thereabouts, when Sergeant Pepper's Lonely Hearts Club Band, the most 'iconic' (that is the buzz-word, and I shall expect to hear all you boys using it)  album of the rock era, exploded into our teenaged world.

Some of you may recall, in 1967, English teacher Chris Ellis taking my copy of the album out to the front of our Fourth Form class, to read aloud the lyrics on the back:


"I used to be mad at my school,
The teachers who taught me weren't cool...'

Some desultory discussion followed, of the Beatles as lyricists, I suppose.

During the first few months of 2007, Pepper's 13 iconic tracks were remade by contemporary bands, as part of the celebrations of the 40th anniversary of the recording of this album.

('What kind of album, boys?'
'An iconic album, sir.')

BBC Radio 2 (or 'Radio Toe' as the BBC announcer keeps calling it; why did the BBC ever allow regional accents on the airwaves?) has made a brilliant documentary about the remake.

This project and the documentary are probably of more interest to musos like me, since the tracks were recorded in the same Abbey Road studio, using the same recording equipment, - the valve-driven mixer, one-inch four-track tape machine, mics., Neumann U 87s, as if you cared, Fairchild limiters, compressors - as the Beatles used, operated by the same two engineers! There is lots of fascinating material about the original sessions: techniques, innovations, and comments on the Beatles' studio discipline - i.e. how to behave if you're a rock Godlet.

This project meant that the 2007 rock stars recreating the Pepper tracks had to play LIVE! This is just not done in today's digital recording studios. Modern pop songs are pieced together like Airfix kits. The executive weaknesses of these artists, as digitally unassisted performers, are glaringly evident. The program is no longer available on line, but bootleg recordings exist. Ask, and it shall be given you.

Some of the re-creations - 'Lovely Rita', 'Getting Better' and 'Fixing a Hole' - are especially good - the artists really got inside those songs. There are video clips as well.